janedavitt: (starbyme)
[personal profile] janedavitt
I'd already part-edited Wild Raspberries so it didn't take too long to get it ready to post. The sequel Wintergreen will take a week or so to get ready.

When runaway Daniel Seaton inadvertently trespasses on Tyler Edward's land, Tyler nearly shoots him on sight.

Tyler's got a lot of years under his belt, and his past doesn't let him accept strangers easily. Dan's situation is dire enough that Tyler takes him home, at least for a little while, and that turns out to be a good decision when Tyler's injured and needs Dan's help.

Tyler's learning to trust, and Dan's settling in to a new life, but things aren't always what they seem. Between interfering friends, injuries, and their attraction to each other, Tyler and Dan have plenty of to deal with even before Tyler's previous career returns to haunt them. Can they overcome what lies in the past to have a future with each other?



Wild Raspberries at AO3

Free Book!

Sep. 16th, 2017 09:47 pm
janedavitt: (chainsbyme)
[personal profile] janedavitt
I got my Torquere books back and after reworking one to sell decided that I'd edit them to bring them in line with my current style (way less... and --) and offer them free as a thank you to all the kind readers out there.

The first of them, Drawing Closer, is also my first novel, published back in 2006. It's at AO3 and it's mild BDSM.

Charles is a professor, an expatriate Brit, and a man with a past. He's put that aside, living the peaceful life he thinks he needs. He figures he's happy.

Until he meets Gray Collins, that is. Persistent, stubborn, and hot, Gray turns Charles's world upside down and brings him a future he never expected, with links to a past he's tried to forget.


Drawing Closer

delayed reactor

Sep. 13th, 2017 06:33 pm
destina: (mcu: tony exasperated)
[personal profile] destina
Me, 15 years later, out loud and in the middle of a meeting:

"Oh!! I get it, grim OLD place!!!! It's...a grim old place!"

*facepalm*

(no subject)

Sep. 11th, 2017 03:19 pm
mirabile: (San Francisco)
[personal profile] mirabile
Hello, hello! I hope you are all well and that hurricanes will stop hurricaning for a while. We have friends on the east coast of Florida who went to Orlando to escape Irma, but my goodness, the flooding there! We haven't heard from them since Friday so my fingers are crossed.

We are fine. Webster actually went swimming with me two mornings this week! He hasn't felt well enough to do that in months. I've been cleaning house like mad because my sister and her wife arrive Thursday night. Yay! I'm so looking forward to their visit, and of course Mother is over the moon. That's one thing she remembers, that my sister is coming out.

In case you missed all the headers and announcements, it's the OTW's tenth anniversary. Ten years! And I'm very proud to say I was there at the start. I love the OTW despite its well known faults, and I adore the AO3. Bless every volunteer and all their hard work. Anyway, Tumblr user Gins posted an essay I enjoyed: A few notes on the past ten years, and so on: I don't think it's a coincidence that there is, broadly speaking, a strong correlation between the people who would like me to write my experience of queerness and womanhood differently and the people who dismiss the artistic import and value of fannish art, and art about fandom. Fandom is one of those rare artistic communities that was built, in large part, by and for women and queer people; this is not to say there aren't people who are neither in fandom, but to instead say that womanhood and queerness have architectural significance to fandom as an artistic space. Excellent essay covering a number of subjects important to me.

Okay, lots of links to share with you:
'Plagiarists never do it once': meet the sleuth tracking down the poetry cheats: When teaching, I had the bad luck to run into a fair bit of plagiarism from my students. To this day, I wonder if I somehow didn't make clear what plagiarism was and why they shouldn't plagiarize. I've also caught some plagiarisms in fandom. It is very very unpleasant.

An essay by Cecilia Tan, Let Me Tell You, about the old saw "show, don't tell," which I have to tell you drives me wild. Literary fiction, I fear, is beyond help because of its overreliance on shared knowledge for its power. The only way to meet the literary "standard" of a "universal" story while writing about any marginalized individual -- whether by culture or subculture, whether of color, queer, or even just a woman -- is to make the story accessible to the educated white upper middle-class point of view.

Over at Think Progress I read about this incredible Twitter account, World War II, one tweet at a time. The Twitter account just started repeating after six years of tweeting, so this isn't exactly news, but you can start here and go forward. Honestly, I had no idea about most of the things that happened in September 1939. I dislike Twitter, even though I've had an account since the business started, so I keep the WW2 Tweets account up on a separate page and refresh periodically. Some days he posts many times, others just a bit. Also: my god, but the Poles were astoundingly brave! Get this: At Wizna village, 720 Polish soldiers in small forts have held back 42,000 Germans & 300 tanks for 3 days, stopping Guderian's panzer corps.

Really beautiful images and clear explanations of Cassini's jaw-dropping discoveries of Saturn's moons. (On Friday, the Cassini space probe will burn up in Saturn's atmosphere, and even though it's for SCIENCE, that still makes me sad.)

I just learned about this Kickstarter project so I didn't contribute any money, but it sounds like a hoot: Barry & Joe -- the animated series. These are the adventures of Barack Obama and Joe Biden bromancing the multiverse as they try and save us from ourselves.

Time for a little yoga, I think, and then what shall I do about dinner? Quesadillas and a salad maybe?

The Leftovers

Sep. 9th, 2017 10:46 am
sheafrotherdon: (Default)
[personal profile] sheafrotherdon
Who among us has seen the HBO show The Leftovers? My friend, M, got me hooked - or rather, she wouldn't stop talking about the show, and introduced me to the achingly lovely score, and then earlier in the week I figured hey, why not watch the pilot and see how it is? And now it's ten episodes later and I am hooked.

If you haven't seen the show, the premise is that, without warning, 2% of the world's population disappears one October 14th. The show picks up the story three years later as everyone's still grappling with their loss. (The premise might sound sort of like the rapture, but it's not - it's never handled as that in the show, and ultimately you get the suggestion of other reasons why people disappeared.) The main protagonist is Kevin Garvey, the chief of police in a small, upstate NY town. He appears not to have lost anyone in the event, but he loses everyone just the same. His wife is in a cult-like group in town. His son is with a charismatic religious figure in the southwest. His daughter is deeply fucked up and remote. His dad is committed to a psychiatric hospital.

And then there's Matt, a local preacher, who lost one version of his wife, Mary. And Nora, who lost her husband and two children in the event. There's Patti, who's in charge of the cult, and Meg, who wants to join, and the town's mayor, Lucy, who is trying to chart a path through increasingly turbulent waters.

It's a slow burn of a show - I wasn't bowled over by it, but rather won over by it. Every episode the writers would drop a nugget of information about a character and I'd realize that meant X or Y, and then have to keep watching to see how that impacted everyone else, and before you knew it, it was episode ten and every, damn, thing in the show tied together. It was gorgeous.

Fair warning - in the first couple of episodes, as well as episode seven or eight, a dog (or dogs) are shot. If that's a deal-breaker, this wouldn't be the show for you. There's also some pretty graphic violence.

If you've seen it, talk to me about it!

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